April Foolishness by Teresa Bateman

April Foolishness by Teresa Bateman; Ill. by Nadine Bernard Westcott.
Holiday E BAT

Grandma and Grandpa are happy to have their grandchildren come to the farm for a visit, but they are prepared...after all, it's April 1st!

When the children come bursting in the door shouting "Grandpa, oh Grandpa, The cows have got loose - I think Big Brown Bessie just stepped on a goose!" Grandpa just shrugs and pours a glass of milk.

As more and more of the farm animals "escape" the children relay the bad news in excited (and rhyming) detail. Grandpa remains cool and calm until Grandma reminds him that April 1st isn't until tomorrow!

This illustrations are done with pen and watercolors in an exaggerated cartoon style. They are bright and colorful and tell quite a story all on their own. Be sure to check out the inside jokes...after Grandpa hears about the hens, he makes eggs! (then bacon, and cheese and milk....)

Be prepared for some big laughs!

Happy April 1st! And by the way...do you know where your cows are?

Reviewed by Marianne

Wishing For Tomorrow

Wishing For Tomorrow: The Sequel to A Little Princess
by Hilary McKay (J MCK)

Award-winning author Hilary McKay always wondered what happened to the girls Sara Crewe left behind at Miss Minchin’s Select Seminary For Young Ladies at the end of the classic novel A Little Princess by Frances Hodgson Burnett. Now she has written a story to answer her question.

McKay picks up where Burnett stopped, using both the third person omniscient narrator and Ermengarde’s letters to Sara to give her readers a new story about Burnett's classic beloved (and reviled) characters. We watch Ermengarde wrestle with her feelings after Sara’s departure, Lavinia become a driven scholar in pursuit of an Oxford education, and Lottie cause mischief and mayhem. McKay shows glimpses of a tormented Miss Minchin who has acquired a new smell (a subtle reference to the headmistress’s reliance on alcohol) that Lottie likes and finds interesting. McKay keeps Sara in the story through letters to Ermengarde, flashbacks, and an appearance at the end of the novel.

Wishing for Tomorrow is an enjoyable and sometimes humorous read, but does not reach the heights that its predecessor reached, which is a high bar indeed. Recommended for fans of Frances Hodgson Burnett and girls in grades 3-6.

Reviewed by Margaret Ballard

A Very Big Bunny

A Very Big Bunny
by Marisabina Russo
E RUS

Amelia is a bunny. A very big bunny. She is so tall and so big that the kids at school make fun of her. They don't want to play jump rope with her, "We can't turn the rope go high enough for you" or let her join them in hopscotch, "Your feet are too big for hopscotch." So Amelia spends most of her time alone.

One day the class gets a new student, Susannah. She was a small bunny. A very small bunny. Soon she too is made to feel like an outsider. Eventually the two bunnies find a common ground and learn to stand out while still being themselves.

The language is simple and childlike and the illustrations, done in gouache, reflect this same simplicity. Be sure to check out the endpapers where the story truly begins, with Amelia alone with down-turned ears and at the end, with her new best friend Susannah, ears and hands up high.

A fun exploration of friendship!

Pair this up with some other unlikely pairs like:
Hello, my name is Bob by Linas Alsenas and
Dog and Bear: two friends, three stories by Laura Vaccaro Seeger

Review by Marianne

Chester's Masterpiece

Chester's Masterpiece
written and illustrated With NO help from Melanie Watt
E WAT

Chester is a cat with a mind of his own. Who needs a silly author when we have his creative genius behind this book? And so the struggle begins.

Our fat tabby friend has taken over the book which is written "with No help from Melanie Watt." The cover is a hodge-podge creation with visible staples, bits of masking tape and lots of red marker.

As the story progresses we learn that Chester has hidden Melanie Watt's art supplies and computer mouse! Thankfully she has a pencil and some sticky notes, and this is how her voice is heard. Little by little, Chester's marker runs out; and litle by little, Melanie explains to readers the bits and pieces that make up a good story.


The illustrations are done with Chester fully drawn, while the rest are done with heavy red marker. You can almost hear the squeak of the marker against the paper. The dialog is snappy and will cause giggles to errupt from readers! Be sure to check out the last illustrated page to solve the mystery of the missing art supplies...and to find out if that cat really got Chester's tongue.


This is the third book in the Chester series and is currently on order at the Irving Public Library. Check out the catalog and put it on hold.

For a storytime on creative writing, you can pair this book with Mary Jane Auch's "THE PLOT CHICKENS."

Another great interactive, cat story try "THERE ARE CATS IN THIS BOOK" by Viviane Schwartz.

Review by Marianne

The Book That Eats People

The Book That Eats People
By John Perry
Illustrated by Mark Fearling
E PER

The Book That Eats People opens with a dire warning: “CAUTION! This is a book that eats people.” The book has consumed many victims and is hungry for more. One fateful day little Sammy Ruskin forgot to wash the peanut butter off his fingers before reading his book. The book got a taste of the peanut butter, ate Sammy, and realized that people tasted better than anything else. His parents donated the book to the library, where it went on a rampage eating library books, disguised itself as a harmless book, and escaped.

The red cover’s menacing eyes, yellow caution tape, credits shaped as fangs stand out and draw the prospective reader’s curiosity. Fearling’s collage illustrations, reminiscent of Lane Smith’s work, capture the spirit of the narrative and are full of details for the reader to study. The ravenous book’s facial expressions are menacing without being too scary, giving the book personality.

Be on the alert while reading this book and have clean hands.

Reviewed by Margaret Ballard